Posted: Fri Nov 24, 2006 12:55 pm
Richard - If it's okay, I'll PM you with my Knowlton stuff. I hope you find it new and useable.
RayS - Pro writers should know what will sell, but not with every single thing they write. Who doesn't have a drawer full of non-published works? It doesn't mean the person is a bad writer. It's often the call of the editor, or a reader for the editor. They think they know what sells, they generally have a lot of experience at it, but they aren't always right either. "Cool Hand Luke" was rejected a slew of times before its publisher finally picked it up. Seems like "To Kill a Mockingbird" was much the same.
Just my opinion, but I think a pro writer needs to have a good idea of what will sell in the future - if you think of just what will sell at the moment, don't you think publishers are getting swamped with manuscripts like that? But I think their work also has to be in their hearts. And I think people can tell.
Are you someone famous or infamous, RayS?
RayS - Pro writers should know what will sell, but not with every single thing they write. Who doesn't have a drawer full of non-published works? It doesn't mean the person is a bad writer. It's often the call of the editor, or a reader for the editor. They think they know what sells, they generally have a lot of experience at it, but they aren't always right either. "Cool Hand Luke" was rejected a slew of times before its publisher finally picked it up. Seems like "To Kill a Mockingbird" was much the same.
Just my opinion, but I think a pro writer needs to have a good idea of what will sell in the future - if you think of just what will sell at the moment, don't you think publishers are getting swamped with manuscripts like that? But I think their work also has to be in their hearts. And I think people can tell.
Are you someone famous or infamous, RayS?