SallyG @ Thu Jun 22, 2006 12:35 pm wrote:Margaret Mitchell was way ahead of her time as a person. Her mother had been a suffragette, and Margaret was an extremely independent and unconventional woman.
Sorry to burst your bubble, but Margaret Mitchell was also an avowed racist who thought and wrote of blacks as akin to small children and, to use her words, "monkeys."
I teach Birth of a Nation in Film History and we explore that film's bias and bigotry (Griffith was also a racist and white supremicist who would not allow blacks to play major black characters in his film, but, instead, used white men/women in black face. He also didn't allow the whites and blacks to mix on the set of his film and housed the blacks in separate quarters. Griffith's father was a Civil War Colonel, for the Confederacy, and the film BOAN, was made to mark the 50th anniversary of the ending of the war.)
I explore similar themes and biases in GWTW. You have to think about this carefully or you will get sucked into the love story and forget that what we have here is a false romantic view of slavery, with happy house slaves (who are treated as a part of the family) and equally happy field slaves who, in the very first few minutes of the film, joyously proclaim (as they ring the dinner bell), "It's quittin' time!"
Did you ever notice the way in which the KKK is represented, while never calling the group the KKK? As Ashley's vigilante raid to avenge the attack on Scarlett in Shanty Town? Exactly Griffith's assertion as well. It is played as if the KKK is a "good thing" and a much needed retaliation during Reconstruction as the "darkies" are asserting their freedom by running amuck and assaulting white women.
And just look at the simpleton characters of Big Sam, Pork, and Prissy. They may make us laugh, but they also bring with them horrible racist stereotypes. Mitchell's slaves are mostly content with their lives on the planatation, and the Great Rebellion is portrayed as a disruption in the southern genteel way of existence.
A great romanic story, yes, but set against a backdrop of false history and, even more profane, a romanticized version of enslavement. The stereotypes are wrapped in a good story, and that makes this book more inidideous than you can imagine.
Ask an African-American what they think of this book or that movie and you might be surprised by the answer. What you thought was glorious is, in fact, for those misrepresented, a travesty.